Eloisa Reverie Vezzosi, Museo Pecci, La fine del mondo, Prato

If the “world” remains the constant, what does its “end” mean?

If I have to talk about the Museo Pecci and its first-new exhibition, entitled “The End of the World”, I prefer the word “rebirth” to “death”, to “exhibition” I prefer the word “overview” on today’s world.


“Dissident Artist”: Ai Weiwei is not free from definition.

But today who is free among of us ?

I have visited the retrospective that the Fondazione Palazzo Strozzi dedicates to Ai Weiwei, and I have found my definition of freedom…

Photo Courtesy of the artist Shane Aspegren

This is the modern fairy tale that today I want to tell you.

Eloisa Reverie Vezzosi, Emilio Isgrò, Gallerie d'Italia, Milano

I deleted at least thirteen times the end of this text, and then I decided to end it this way. I hope that the master will forgive me for this … But I am sure he will understand.

Eloisa Reverie Vezzosi, Escher, Palazzo Reale

How many faces has art got? 
I do not know if Escher would have replied “infinite” … 

How many faces has Escher got?
 I do not know if art would have replied “infinite” …

I went into a room of mirrors and I fear I have lost my way home … Or maybe my gaze simply fell, and I lost it in Escher.

The Floating Piers, Christo, Eloisa Reverie Vezzosi

I become estranged. “It is important that you follow only the flood of the waves,” and so I let myself be lulled along with an incessant stream of thoughts …
Christo has given hs the freedom to walk on the water, and no matter what, we have to be grateful to him.

Eloisa Reverie Vezzosi, Thomas De Falco, Ara Pacis, Roma

Blindness is the optical visual perception nullified. It is a congenital or induced condition. It is a state of mind. It is paradoxically a state of grace.
I often had to keep my eyes closed during a performance. It happened again Saturday, May 28, when, at the Ara Pacis Museum in Rome, was staged “DAWN”, performance by Thomas De Falco curated by Laura Cherubini, to which I took part along with twelve other performers, three musicians and a mezzo soprano.

Eloisa Reverie Vezzosi, Jan Fabre, Forte di Belvedere, Firenze

If the boundary on which Kafka moves in his most famous short story defines reality on the one hand and imagination on the other hand, Jan Fabre with his Metamorphosis goes in search of Utopia along with guides of spirit, intellect and symbology.

"PRIVATE TDF", Thomas De Falco, Masseria Torre Coccaro, Eloisa Reverie Vezzosi

(Italiano) Cosa vuol dire “privato”?
Si potrebbe rispondere con “non pubblico”. Come se l’uso dei contrari fosse sufficiente a dare definizioni…
E soprattutto chi è il soggetto “privato”?

“PRIVATE TDF” di Thomas De Falco è stata la performance in due momenti curata da Laura Cherubini e andata in scena a Brindisi il 23 e 24 aprile. Dopo aver visto “SOLO” e vissuto sulla sua pelle “WAITING”, Reverie ce la racconta in presa diretta e ci rivela che prendere-forma è processo catartico.

Joan Miró, Eloisa Reverie Vezzosi, MUDEC, Milano

“The beginning is something immediate. It’s matter that decides “. 

MUDEC – Museo delle Culture of Milan gives us a journey into the matter of the famous Spanish artist with an exhibition curated by the Fundació Joan Miró, under the

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