2017
Photo Henrik Blomqvist

(Italiano) 18,78 minuti circa. 6,26 il tempo di ogni azione. 3 le azioni prima di ricominciare.
Dall’inizio: 3 azioni, 3 persone, 3 ricordi e poi tutto riparte e si ripete. Al centro del laboratorio scientifico condiviso con altre tre figure, la Sfera: la macchina del ricordo che è momento, è memoria e diventa monumento. Cuore effimero e intangibile malgrado la fisica presenza dell’opera interattiva rivestita di Alcantara ® dentro e fuori poiché incentrato sul tuo ricordo. Ricordi? Te lo ripeto più volte per convincerti che sei già stato qua.

Body lines

Wednesday March 1st, 2017
Eloisa Reverie Vezzosi, Keith Haring, Palazzo Reale, Milano

In Art, synonym of purification is catharsis. Blood. The staging of a tragic representation in Ancient Greece involved the whole polis in a common moment of purification. Tears. Through feelings of pity and terror. Sweat. Art makes you stink, it bothers, it melts groins and intestines, it speaks from the stomach, the throat and the lower bellies. Art is scary. The Sublime and the Beautiful are concepts clearly distinct. Let’s get free. Freedom. Let’s follow our instincts, let’s give credibility to the subconscious. Let’s eliminate the costume that does not exist. Let’s read more and not the labels.

Yes. When I visited the exhibition that Palazzo Reale dedicated to Keith Haring I sweated. A lot. A sweat, for the accuracy, composed of water, ions (Na +, K +, Cl-), urea, immunoglobulins, cholesterol, lactic acid, volatile bases, acrylic, oil on canvas, images, masks, vinyl paint…

Equation of an eroded time

Thursday January 26th, 2017
Eloisa Reverie Vezzosi, Collezione Maramotti

86.400 are the seconds of a day. It’s the time that I have given to me to get to, to synthesize and to separate me again from “Figurative geometry” of Maramotti Collection.