Body lines

Wednesday March 1st, 2017
Eloisa Reverie Vezzosi, Keith Haring, Palazzo Reale, Milano

In Art, synonym of purification is catharsis. Blood. The staging of a tragic representation in Ancient Greece involved the whole polis in a common moment of purification. Tears. Through feelings of pity and terror. Sweat. Art makes you stink, it bothers, it melts groins and intestines, it speaks from the stomach, the throat and the lower bellies. Art is scary. The Sublime and the Beautiful are concepts clearly distinct. Let’s get free. Freedom. Let’s follow our instincts, let’s give credibility to the subconscious. Let’s eliminate the costume that does not exist. Let’s read more and not the labels.

Yes. When I visited the exhibition that Palazzo Reale dedicated to Keith Haring I sweated. A lot. A sweat, for the accuracy, composed of water, ions (Na +, K +, Cl-), urea, immunoglobulins, cholesterol, lactic acid, volatile bases, acrylic, oil on canvas, images, masks, vinyl paint…

Equation of an eroded time

Thursday January 26th, 2017
Eloisa Reverie Vezzosi, Collezione Maramotti

86.400 are the seconds of a day. It’s the time that I have given to me to get to, to synthesize and to separate me again from “Figurative geometry” of Maramotti Collection.

Eloisa Reverie Vezzosi, Escher, Palazzo Reale

How many faces has art got? 
I do not know if Escher would have replied “infinite” … 

How many faces has Escher got?
 I do not know if art would have replied “infinite” …

I went into a room of mirrors and I fear I have lost my way home … Or maybe my gaze simply fell, and I lost it in Escher.

The Floating Piers: random thoughts

Monday June 27th, 2016
The Floating Piers, Christo, Eloisa Reverie Vezzosi

I become estranged. “It is important that you follow only the flood of the waves,” and so I let myself be lulled along with an incessant stream of thoughts …
Christo has given hs the freedom to walk on the water, and no matter what, we have to be grateful to him.

NO CURVES. La linea diritta dell’arte

Wednesday February 10th, 2016
Milan, 01.26.2013. No Curves @ Avantgarden Gallery. No Curves, Manfredi Bonelli Bonetti, Francesca Holsenn. Photo Dario Orlandi for Avantgarden Gallery

In un mondo coloratissimo in cui la geometria regna sovrana, NO CURVES crea «circuiti adesivi e sogni vettoriali». Reverie incontra il maestro della Tape Art per un dialogo fatto di nuove prospettive, intrecci di linee, Roberto Longhi, Bruno Munari e gli Skunk Anansie.

Botticelli and his time in Tokyo

Wednesday January 27th, 2016
Eloisa Reverie Vezzosi, Botticelli e il suo tempo

It is difficult to define which is really the time of Sandro Botticelli.On the occasion of the 150th anniversary of the Treaty of friendship and trade between Italy and Japan, the theme of the universal codes of the art of one of the Renaissance Masters is investigated through the exhibition in the Tokyo Metropolitan Museum.

Alfons Mucha and the Rêverie Art Nouveau

Thursday January 7th, 2016
Alfons Mucha, Palazzo Reale Milano, Eloisa Reverie Vezzosi

From the sacred to the profane, from the theater stage to everyday life, from space to time, from japonism the European spirit, the femme fatale to the woman-flower … This is the exhibition of contrasts and as such I decided to investigate it.

un anno ad arte

Friday January 1st, 2016
Vedo. Sento. Parlo. Eloisa Reverie Vezzosi

Come sarà il 2016 nessuno può saperlo. “: A WORK OF ART”? Intanto ho deciso di salutare il vecchio e dare il benvenuto al nuovo mostrando, in un simpatico video backstage, la mia vita ad arte e quotidianità…
Non svelo altro… Auguri di Buon Anno e buona visione!


Wednesday December 16th, 2015

I have always loved Pirandello. One book in particular: “One, no one and one hundred thousand”. Also art is like that: it is one, no one, and one hundred thousand.
At the Triennale in Milan art divided itself in “seven” and has become “Umpteenth. An exhibition of seven exhibitions of Italian art”.